Tag Archives: 2015 In Film

“Dheepan” – An Intense Immigrant Saga

I was first introduced to the filmmaker Jacques Audiard with the intense crime opus A Prophet. That film was easily one of the greatest crime dramas this side of The Godfather, it followed a Muslim teen sent to prison who rises in the world of France’s organized crime both as a matter of necessity and in order to better his lot in life. I’m here to tell you that while Dheepan is not a step forward for Audiard, the film nonetheless represents everything that makes him one of the truly exciting voices in contemporary cinema. Like that 2009 feature (which was France’s entry into the Academy Awards at the time) Dheepan is harrowing saga about people who go through tremendous suffering on their way to freedom in a country that isn’t their own.

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25 Best Films of 2015 Countdown Part IV (5-1) – Finale

The Final Countdown!!!

(continued from Part IV)

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25 BEST FILMS OF 2015 COUNTDOWN PART IV (10-6)

The countdown continues…again!

(continued from Part III)

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25 BEST FILMS OF 2015 COUNTDOWN PART III (15-11)

The countdown continues!

(continued from Part II)

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25 Best Films of 2015 Countdown Part I (25-21)

Anyone who says there weren’t many good films this year is either lying or they simply don’t go to the movies that often. I can’t help the former but for the latter I’ve curated my recommendations for 2015’s best movies. Many films were excellent this year – my initial list of possibilities numbered over 60 – but these were the movies of the year that I think offer that perfect mix of “new & exciting” and accessible to general viewers.  This list spans megabudget spectacle to microbudget indie, strange foreign pictures and more but perhaps like 2013, this year encapsulated the range of what cinema can offer.

Without further ado, the countdown:

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“Spotlight” Reminds us Why Journalism is Important

Spotlight is a tight, blunt, un-cinematic and un-fussy movie that’s as to the point the moment in journalism it explores. The movie is almost documentary-like as it dramatizes the true story of  a handful of Boston Globe reporters who exposed a wide-reaching sex-abuse-and-cover-up scandal in the Roman Catholic Church. The movie never gives into the sensational subject matter or exploits it for melodrama; instead it remains a grounded character drivenstory that is predicated on the nitty-gritty details and painstaking work that went into exposing such a major story. Spotlight is one of the best movies of the year, offering the kind of measured craft and adult-minded drama that we once had been  granted at a studio level, more akin to a film like All The President’s Men.

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