At the heart of superhero stories are our modern myths, a way of how contemporary society deals with the real world through easily recognizable pop icons. It’s not about things like continuity or consistency or “rules” or even sacredness so much as the tradition of interpretation and re-telling. Comics writer Alan Moore once had a saying, “This is an imaginary story… aren’t they all?” And that cuts right into what Zack Snyder has done with his messy yet endlessly audacious superhero opera, Batman v Superman: Dawn of Justice.
Few filmmakers understand how to make “style over substance”, not in any way a negative, the way Guy Ritchie (Lock Stock and Two Smoking Barrels, Snatch, RockNRolla) can. His films are shallow, but since they’re only concerned with making you smile you almost don’t mind how empty they are. In the case of The Man from UNCLE, Guy Ritchie’s creates a laid back and frisky take on a forgotten ’60s spy series is pure empty fluff…and yet so undeniably stylish and fun. This movie is light on its feet, utterly inconsequential, but it is so charming, witty and stylish that the unpretentious sights & sounds make for a truly sublime pleasure to look at and listen to. Less concerned with the prestige of the Daniel Craig-era James Bond films or the stunt showcase of the Mission Impossible movies or the satirical bite of Kingsman, this movie coasts on showcasing the untapped charms of new-blood actors Henry Cavill, Armie Hammer, Alicia Vikander and Elizabeth Debicki. This movie is a fetish piece for anyone who loves the pop side of the ’60s, and I couldn’t help but enjoy it thoroughly.