The heist film is a tried and true formula for genre moviemaking. There’s no denying the simple pleasures of watching a team of “who’s who” stars work together to either steal their way to wealth and luxury…or perhaps get punished for it. Steve McQueen’s sprawling Chicago-set crime saga, Widows, follows in the footsteps of the classic heist films, the Heats and Dog Day Afternoons of the world, and forges its path with a mixture of social commentary and an examination of our obsessions with tales of teamwork and thievery.
Imagine the sprawling & cynical political bite of John Le Carre’s Tinker Tailor Soldier Spy filtered through the pulpy hyper-reality of the John Wick movies and starring Charlize Theron as James Bond: that is Atomic Blonde.
The countdown continues…again!
The countdown continues!
I was first introduced to the filmmaker Jacques Audiard with the intense crime opus A Prophet. That film was easily one of the greatest crime dramas this side of The Godfather, it followed a Muslim teen sent to prison who rises in the world of France’s organized crime both as a matter of necessity and in order to better his lot in life. I’m here to tell you that while Dheepan is not a step forward for Audiard, the film nonetheless represents everything that makes him one of the truly exciting voices in contemporary cinema. Like that 2009 feature (which was France’s entry into the Academy Awards at the time) Dheepan is harrowing saga about people who go through tremendous suffering on their way to freedom in a country that isn’t their own.
The erotic drama is a unique subgenre unto itself. There’s always been a stigma associated with it in terms of the inherent sleaze juxtaposed with often revealing explorations of lust, love, sex, sexuality and the specificity of emotions associated when two or more individuals connect or attempt to connect on a physical and/or emotional level. The infamous classic Nagisa Oshima film, In the Realm of the Senses made it a point to juxtapose his lead lovers’ fiery passion with their self-imposed solipsism. Luca Guadagnino’s gorgeous A Bigger Splash sets itself in a rather “on the nose” yet still effective metaphor for this specific form of myopia and hedonism: most of the action takes place by a swimming pool on a private island surrounded by the sea. Essentially a riff on The Big Chill and 9 ½ Weeks, this vibrant tale is about the lustful intertwining love square between four individuals.