Captain America: The Winter Soldier presents the tipping point for Marvel Studios’ labyrinth of interconnected media franchises in the best way possible. This is the first film they’ve produced that is the closest in not being a good superhero film, but a flat out good film PERIOD. Alongside Superman, Captain America is one of the most unfashionable and archaic of all the spandex-clad superheroes that have made their way out of the comics and into movie theaters. In 2014, there’s something bitterly ironic about a living symbol of idealized American might & valor, draped in the stars and stripes of a simpler era. Joe Johnston’s Captain America: The First Avenger sidestepped such concerns by setting his feature back to his WWII-era pulp-adventure roots in an escapist adventure reminiscent of the Indiana Jones features. However the Marvel Cinematic Universe is continuously growing and changing and a certain superhero team is in need of its old-fashioned veteran patriarch. Now that The Avengers had the genetically-enhanced soldier Steve Rogers (Chris Evans) defrosted on the present side of history, how do creators and filmmakers to confront his dated 20th-century sensibilities to the 21st-century world?